It's a nice view of commercial "art" and business history, though quite sad.
And, also OT, but a bit less, I spent my $25 Barnes and Noble gift card yesterday and happily came home with a small, lovely book of Walker Evans photographs. (I already own the Getty Museum book of his sign images.) This one has a broader selection. I also scooped up another book: Color by Victoria Finlay. This is going to be a real treasure trove of trivia. Ever since I mucked about making my own etching inks years ago and just for the hell of it, immersed my hand in a bag of vermilion, I've never stopped drooling over naked colors. That was around the same time I discovered Winsor & Newton gouache on a paint chip card in my local art store. I came home with as many as I could afford, and put them all on a piece of tracing paper with a toothpick. Years later, I still like it. It's about the only thing I've left from my days in art school. (The brown is the masonite showing through.)
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The cover of the Finlay book looks like a shot of pan watercolors in a ceramic framework, but it is actually an image of the front of some (cursedly unidentified) building with windows of unpatterned color--I can't tell whether they are glass or paint. The bibliography and notes are extensive which makes the non-identification of the cover shot all the more frustrating.
Clair-
ReplyDeleteyou might enjoy "Bright Earth" by Philip Ball, a history of color as technology which birthed the modern chemical industry. Wild stuff.
Thanks for reminding me, David. I remember reading a review of that book and putting it on my list a long time ago, but I never got it. As they say, "so many books, so little time!"
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