A Vermont Dichotomy

Some pictures speak for themselves:

YAS = Yet Another Sunset/Sunrise

I just can't let go of these. The color creeps into my peripheral vision at the end of day through my southwest window as my computer work is coming to an end. I look, and then grab the camera on my way out the studio door. And, so with this one, I finally gave in and uploaded it to Alamy. And, there it will sit, no doubt with the other gazillion sunset/sunrise images. It is, and will remain, the only brazenly obvious sunset image in my stock image collection.

Also, I've started another, very specific blog. It is a chronicle of my thoughts, experiences, excitement, and angst as I create, prepare, and finalize my proposal for the Art of Action project for Lyman Orton and the Vermont Arts Council. I figured it deserved its own blog, rather than having bits scattered among the general visual stuff here.

Useless Image -- Except for my Eyes

After looking at countless stock images as I was moving into the business, I spent a long time thinking about all the images with saturated colors that I saw. I also looked for comments on the prevalence of such images, but found almost nothing. It is apparently the norm.

I may be shooting myself in the foot, but I can't bring myself to do that. I try to send my stock images out into the world with their real colors. Of course sometimes this means that in the group of thumbnails on a stock agency's search page, my images will not jump off the page. I have to live with that. But if someone buys one of my images, they will get reality.

Which brings me to this image: this was taken outside my front door a couple of days ago, just before sunrise. I was transfixed by that sky. It was, as it appears, unbelievable. It looks like the most saturated of stock images. But it is not. It is wholly untouched. In my book, it's not good for anything except to take my breath away.